About
Toth Lamb is the shared studio practice of Christian Toth and Francis Lamb — operating across Los Angeles, Mexico City, London, Toronto, and Halifax.
CHRISTIAN TOTH
Christian Toth is an internationally exhibited artist with work spanning over 40 countries. His practice has been featured at the Peabody Essex Museum (Salem, Massachusetts), the Art Gallery of Nova Scotia, Millon Associés auction house (Paris), and in the Rolling Like Thunder documentary produced by Mass Appeal and released on Showtime. His work appears in Graffiti World — the most comprehensive survey of graffiti art ever published.
Christian painted trains, subways, walls, and buildings across 40 countries — unsanctioned, unpaid, and fully intentional. That global street practice became the foundation for everything that followed: a recognized fine art practice, large-scale public and corporate commissions across Canada and the United States, and an ongoing studio practice he shares with Francis Lamb today.
His art is driven by a genuine desire to raise consciousness, share love, and make a positive impact. Connected to Source — God, the universe — he believes art is one of the most powerful ways to give back.
He has lived widely and rebuilt more than once. Over two years sober. A survivor of things that would have broken most. Still standing. Still creating. The resilience is in the work.
Outside the studio he surfs, runs, does yoga, and trains. A former hockey player. He shows up every day.
The work comes from a life fully lived. That is what you are buying.
Full exhibition history: Provenance & Exhibitions
CHRISTIAN TOTH - THE WORK
Current Focus - Original lightbox multimedia paintings — each containing two original works of art. Graffiti. Gold leaf. Hidden messages. Illuminated from within by intention. By Source.
Every piece is one of a kind.
Every piece carries messages.
Every piece is lit from within.
New original works release regularly from the studios.
One of a kind. Shipping worldwide.
FRANCIS LAMB
For as long as I can remember, I knew I was an artist.
At 8, my father gave me a drawing book of the human figure. At 13, he passed away. It was at my grandmother's house where I found a wooden box of oils, charcoals and pastels — a gift that would define my path.
At 17, I was rejected from the Armando Reverón School of Arts in Venezuela. I kept painting in silence.
Life took me through other roads — a different career, motherhood. Art waited.
When I returned, in the middle of the 2020 pandemic, I returned with everything. And when I faced the hardest loss of my life in 2022–2023, painting became the only territory no one could take from me. That is where Mimo Face was born.
I am a self-taught Venezuelan visual artist with studios in Latin America and Los Angeles, and an active international practice informed by direct study of major collections — the Musée du Louvre (Paris, 2024), the Nationalmuseet (Copenhagen, 2024), the Museo Botero and Museo del Oro (Bogotá, 2026).
My main series, Mimo Face, is a visual investigation into feminine identity — what women carry, sustain, and conceal. Each piece is a palimpsest: layers of time, matter and emotion on 300g cotton paper.
These are not portraits. They are icons of texture.
FRANCIS LAMB - THE WORK
Francis works primarily in mixed media on 300g cotton paper — building each piece in layers of acrylic, oil, charcoal, and pastel.
The Colombia series was born from a shared one-month art retreat through Barichara, Bogotá, Medellín, and Nuquí — Christian and Francis painting together, directly from the landscape and the people encountered along the way. These works form part of the Toth & Lamb collaborative collection.
Francis also co-creates the Toth Lamb lightbox series — designing the vector artwork that forms the laser-cut top layer of each illuminated original.
Mimo Face collection available by inquiry only.